The PaperPhone

>> Tuesday, May 10, 2011

This is the look of tomorrow's smartphone

by The Daily Telegraph

04:46 AM May 10, 2011

VANCOUVER - Researchers have demonstrated a flexible smartphone that can be controlled by being bent, written on or used as a touchscreen.

The PaperPhone, built to determine how people use a flexible device, is a collaboration between researchers from Queen's University in Kingston, Canada, Arizona State University, the United States and researchers from the E-Ink Corporation.

"This is the future. Everything is going to look and feel like this within five years," Mr Roel Vertegaal, director of the human media lab at Queen's, said. "This computer looks, feels and operates like a small sheet of interactive paper."

The epaper sheet, which uses the same e-Ink technology found in the Kindle ereader, is only millimetres thick and can be used to make phone calls, read ebooks and play music.

The researchers say this could eventually mean the end of paper and printers. Dr Vertegaal said: "The paperless office is here. Everything can be stored digitally and you can place these computers on top of each other, just like a stack of paper."

The PaperPhone will be displayed today at the Association of Computing Machinery's CHI 2011 conference in Vancouver.

Source: www.todayonline.com

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DSLR Camera Review - The Nikon D5100

Great shots for all


It's easy - all you need is an eye for detail

by S Shiva
04:46 AM May 11, 2011


The Nikon D5100 is a new entry to Nikon's range of DSLRs that is easy to use, and delivers a great performance for both photo and video capture. The versatility that comes with the D5100 makes it an ideal camera for anyone, from a beginner learning about DSLRs to more experienced photographers.

Boasting the ability to shoot 16.2 Megapixel photos, a range of special effect modes, high-definition (1080p) video recording, and a HDR option that merges images, the D5100 is no doubt a powerful device.

With only five buttons and a navigation pad near its display panel, the D5100 does not look nearly as complex as other recent DSLR models. The buttons, however, provide quick access to navigating and managing captured photos and videos.

The video recording, live view and power buttons are located at the top of the camera, around the capture button. There is also a mode dial that can be used to select the different special effect modes, which include Night Vision, Colour Sketch and Silhouette, just to name a few. The dial can also be used to set the camera mode to manual, auto, aperture priority or shutter priority modes.

There are no quick-access buttons to manipulate shots with more advanced options like sensitivity, white balance or metering, but these can be found and adjusted within the camera's menu.

The D5100 has a three-inch display panel that can be tilted, thanks to an articulated joint located on its left. This feature comes in handy when trying to capture photos at difficult angles, and also to reduce glare on the screen when shooting outdoors.

The display is bright and clear, and does well when it comes to showing detail and colour. When using the live view mode, which uses the display instead of the viewfinder to look through the camera lens, the display delivers a smooth performance, although there is a drop in frame rate when certain special effects modes, like Colour Sketch, are activated.

With its 18-55mm lens, which comes in the box, the D5100 is capable of producing clear pictures with accurate colours and minimal noise. The D5100 has an ISO range of 100-6400, and is expandable to ISO 25,600.

Photos are visibly grainier at the ISO 6400 setting, but makes up for it by allowing good low-light shooting. Video quality is decent and has good detail and colour, but is not a replacement for a full video-camera.

When it comes to speed, the D5100 does not disappoint. It starts up in under a second, almost immediately as soon as the power is flicked to 'On'. It is capable of capturing at 4fps (frame-per-second) and can shoot continuously at this rate.

The battery life of the D5100 is good, lasting many hours of continuous shooting on a single charge. Charging the battery takes a little long though, requiring over an hour for it to reach full charge.

Overall, the D5100 is a versatile DSLR ideal for learning with and can be used by intermediate and advanced photographers as well. Thanks to its special effects modes, more unusual looking photos can be captured. For those looking for a good quality DSLR that is straightforward to use and can deliver good result, the D5100 is the choice for you.

Source: www.todayonline.com

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Google to unveil online music service

Google to unveil online music service

by THE NEW YORK TIMES

04:46 AM May 11, 2011

SAN FRANCISCO - Google plans to introduce its long-awaited service to allow people to upload and store their music collections on the Web and listen to their songs on Android phones or tablets and on computers.

The announcement of the new service, a so-called cloud-based music player, will be made on Tuesday at Google I/O, the company's developers conference here, which will run through Wednesday.

The service, to be called Music Beta by Google, is similar to one introduced by Amazon in March, although it will store considerably more music. And like Amazon, Google does not have the cooperation of music labels, which means that users cannot do certain things that would legally require licences, like sharing songs with friends and buying songs from Google.

But Google's announcement at this time was unexpected because it has been negotiating with the music labels for months to try to make a deal to team with them on a cloud music service.

"A couple of major labels were not as collaborative and frankly were demanding a set of business terms that were unreasonable and did not allow us to build a product or a business on a sustainable business," said Mr Jamie Rosenberg, director for digital content for Android. "So we're not necessarily relying on the partnerships that have proven difficult."

After Amazon introduced its service, music label executives said they were disappointed and exploring their legal options.

Neither Google's nor Amazon's cloud players make true many Web companies' dream, which is for people to be able to listen to their music whenever they want, on any device. Ideally, Web companies would keep a copy of every song in the cloud, creating a kind of Internet jukebox, and give users instant access to those they own without uploading. But that would require licences.

"This whole upload thing just seems like a significant barrier to wide consumer adoption because even with broadband it just takes a long time" to upload, said Mr David Pakman, who invests in digital media start-ups for the venture capital firm Venrock, and helped found a similar music service, Myplay, in 1999. But Amazon forced Google's hand, he said. "If you're faced with another six months of brutal negotiations and your competitor just launched this, you just get in the market and get a lot of users."

Mr Rosenberg characterised Music Beta as a first step in a broader cloud music service and said Google hoped to continue negotiating with the record labels to get licences to offer other things, like a music store that sells songs or a service that suggests new music to listeners.

For Google, the new service is a way to compete with the iPhone by giving Android users the ability to easily use their music collections. Android users could previously store MP3 music files on their phones but it was a cumbersome process. Amazon's service, Cloud Player, also works on Android phones but stores fewer songs for free.

Since songs stored by Google will stream from the Web, they are not always as accessible as songs stored on iPods because people cannot listen to them in places without data connections, like airplanes. But Google stores copies of recently played songs and certain songs that users choose for offline access.

The music labels have long argued that they should be paid when people listen to songs on various devices. Google, Amazon and Apple, along with start-ups like Spotify and the now-defunct Imeem, have struggled to strike agreements.

Apple is still expected to be working on such a service. It acquired Lala, a cloud music service, and built a data centre in North Carolina that could store users' music collections. It also has relationships with the labels through iTunes.

Google and Amazon, meanwhile, say they do not need licences to store music for users and play songs on multiple devices because users upload the songs they own, just as they would if they backed up their computers. "This is really a personal storage service in the same way that you would put songs on an iPad or you would put songs on a backup hard drive, so this service does not involve licences for the music industry," Mr Rosenberg said.

The service is invitation-only to start. Verizon Xoom owners will receive invitations and others can sign up at music.google.com. Users download an application to their computer and upload their music, which could take many hours. The songs will be available on any device linked to the user's Google account using a mobile app or a Web-based player, as long as they support Flash, which excludes iPhones and iPads.

Users can store 20,000 songs free, as opposed to Amazon's service, which stores up to 1,000 songs without charge.

The service syncs activity on different devices, so if users create playlists on their phones, the playlists will automatically show up on their computers.

"We looked at the power of Google to deliver a compelling cloud-based service and essentially married those technologies with what we felt was lacking in the Android experience up until now," said Mr Rosenberg.

Source: www.todayonline.com

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Toggling the goggle box

>> Sunday, May 8, 2011

A local company builds on technology that will change the way we watch TV

by Peter Yeo
04:46 AM May 04, 2011

SINGAPORE - MTV changed the way we hear - or see, rather - music and propelled the television into every household. But, if Aleph Labs get their way, their technology will change the way we watch television.

Beyond TV (picture) extends the television experience by pushing extra content related to the show onto a "second screen". This extra content would come in the form of real-time, interactive links that integrates social media. For example, while watching your favourite show, you can "like" it so friends and family members will get your personal stamp of approval - be it for the show or just that particular episode.

As CEO Arvind Singh revealed, BeyondTV uses "audio watermarking", technology that uses the microphone on the tablet device to pick up the sound from the television and determines what channel and programme is being watched. The software then pulls out content related to the television programme and pushes it to the tablet.

BeyondTV contains an Electronic Program Guide (EPG), an interactive service that provides viewers with constantly updated information such as schedules and other rich data for current and coming programmes.

Mr Singh explained that most channels already produce an EPG which are synced with televisions, set-top boxes and tablet devices. Major EPG providers like Rovi already have widgets for Internet-connected televisions.

You can "check in" on the show so your friends are updated on the show you are watching. You can then share your thoughts and read comments from friends via social platforms such as Facebook and Twitter.

Information for sports programmes such as team and player statistics or match overviews can also be sent to your tablet. You can also watch replays of key moments - bad refereeing or spectacular goals - during halftime, check on schedules of other matches or purchase match tickets and merchandise.

"Singaporeans are known to be very tech-savvy and are absolutely ready for BeyondTV, especially with integration of social network in the BeyondTV framework," said Mr Singh.

Aleph Labs was one of 11 local establishments that took part in MIPTV last month. MIPTV is a content market for co-producing, buying, selling, financing and distributing entertainment content. The company had the honour of being one of 18 chosen finalists out of 159 entries from 20 countries to take part in Content 360, a competition for new media talents held at MIPTV.

The showcase provided a unique platform for digital producers, interactive agencies, digital designers, Internet content creators, game developers and mobile application providers to pitch their creative ideas. BeyondTV was pitched to the "rich media tablet and social apps" section.

Mr Singh said: "MIPTV was a very successful trip, we got validation for BeyondTV as a concept and our development effort was highly appreciated. We had many meetings during the event as well as substantial follow-ups after." Peter Yeo

Source: www.todayonline.com

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A review of the Xbox360 Razer Onza Tournament Edition

One for the control(ler) freaks


A review of the Xbox360 Razer Onza Tournament Edition

by Nizam Ali

04:46 AM May 04, 2011

I've been playing on the Xbox since 2004 and I've seen a fair line-up of third party controllers. While the experience thus far has not been impressive, I was excited about the Onza. After all, this is a product of Razer, a brand of quality. The difference between the Onza standard and the Tournament Edition is the non-slip rubberised surface, adjustable resistance analog sticks and backlighting on the face buttons. While both versions are wired, the Tournament edition sports a long braided cable with a safety trip - a feature also found in standard Xbox controllers.

The first thing that impressed me when I took out the controller is its smooth textured finish which rests firmly in your grip. The placements of the Xbox guide button, thumbsticks and face buttons remain as with the original controller, but the start and back buttons are moved lower, to a position nearer to you. I feel this is unnecessary as it does not offer any advantage, and relearning its new place is an undesired experience.

There are two additional bumpers for remapping your crucial presses. For example, if you find it too far to move your thumb from the thumbstick to reach the Y or B buttons, you can reset them to the bumpers. Unfortunately, they are placed too close together, and people with big fingers like me are likely to press both during intense situations. This happened frequently in the first few hours when I used the controller, so I recommend playing single-player campaigns instead of jumping into an online multiplayer match straightaway. Perhaps there would be fewer accidents if the double bumper buttons were slanted.

The trigger buttons seem to have a shorter draw distance, and this means a faster chance to fire that critical shot, and the extended design allows the finger to rest comfortably. The face buttons XYAB are slightly depressed than the standard design, providing a slightly quicker way to button mash. Those who appreciate aesthetics will welcome the redesigned alphabets too.

The directional pad is separated into four parts, helping you identify the right button to press. But, while they suit shooter and role-playing games, it may be challenging for fighting games that require semicircle or quarter presses.

PC gamers hesitating to start on the Xbox360 because of its slow movement feedback may just find the solution in the adjustable thumbsticks. Adjust the tension by twisting the heads of the thumbsticks and you'll find the sweet spot for playing shooters and racing games in due time. The only problem is there are no visible markers or indication on the number of clicks, so adjusting between games can be a pain.

My biggest gripe is the lack of backward compatibility for the headset jack. It works well with the newer Xbox headsets but leaves those with the original headsets and chatpad feeling shortchanged. It would seem Razer would prefer you to come into a match guns a-blazin' then exit, leaving everyone stunned at your performance. NIZAM ALi



VERDICT: Onza Tournament Edition is a great alternative if you invest the time in learning to wield it. Be cautioned though; your online friends may ostracise you if they find out.

4/5

Source: www.todayonline.com

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Foursquare meets BlackBerry Messenger

Foursquare meets BlackBerry Messenger

by Kok Xing Hui
04:46 AM May 06, 2011

ORLANDO - Research in Motion (RIM) announced on the first day of the BlackBerry World Conference (BBWC) that Foursquare is now a part of BlackBerry Messenger (BBM).

BlackBerry has been incorporating consumer applications to its devices in a bid to make gains on the consumer market.

With the Foursquare and BBM integration, any check-ins made on the popular location-based social networking application will prompt the user to share his location on BBM. Clicking "yes" will make your current location viewable to your contacts under your user profile. BBM contacts can also view your Foursquare badges, furthering the social abilities of BlackBerry's popular messaging platform.

This integration is harked as more than just broadcasting your current location on more platforms than are already available. The easy sharing of information between both applications mean that you can also send your location via a map to a particular contact - a feature previously supported on BBM with BlackBerry Maps.

According to Mr Gregory Wade, managing director of RIM Southeast Asia, BBM will be the focal point of marketing campaigns in the region, targeting consumers and especially the youth segment.

In countries like the Philippines, RIM has just engaged celebrity spokespersons to further drive consumer adoption. KOK XING HUI, reporting from blackberry world conference in Orland

Source: www.todayonline.com

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